Aircheck: Radio Nova from 1985

Aircheck: Radio Nova from 1985
Jessie Brandon on offshore pirate Laser 558 in 1984. Courtesy offshoreradio.co.uk and Offshore Echoes magazine.

This is an aircheck of Radio Nova from September 29th 1985, featuring legendary American DJ Jessie Brandon who took up a job with the new offshore pirate Laser 558 in 1984. Jessie moved to Nova in October 1985 and was one of only a handful of female presenters on the commercial pirates of the era. In this recording she plays ‘the JAM song’, a selection of jingles made by JAM Creative Productions in Dallas, Texas whose clients included Radio Nova. There’s an interesting interview with Jessie in Charlie Connelly’s excellent book Last Train to Hilversum.

The recording also includes a promo for the new ‘Zoo Crew’, presented by Colm Hayes and Bob Gallico, a riotous breakfast show which ran from October 7th 1985 to January 24th 1986. Sybil Fennell is also heard on news but a bitter dispute between Nova and the National Union of Journalists (NUJ) had resumed by this time and contributed to the demise of the station in March 1986.

According to Nova fan Kevin Branigan, September 1985 was a pivotal month for the station. At the start of the month, Nova was powerful and untouchable, was giving away £10,000 in cash, still running easy listening station Magic 103 and packing out club night Disco Nova. By the end of September Chris Cary had closed Magic 103, fired the journalists, the NUJ was back on strike and big name DJs were departing for other stations such as the rival Q102. Magic 103 transmitters and studio equipment were sold by Cary to Q102, allowing it to surround Nova on the FM Band and with the help of ex-Nova talent, move into the big league. It was the beginning of the end.

We thank Kevin Branigan and Ian Biggar for help with information and analysis.

Aircheck: Chris Cary on Radio Nova

Aircheck: Chris Cary on Radio Nova
Chris Cary in a Radio Nova promotional photo. Courtesy offshoreradio.co.uk

This is a recording of Radio Nova boss Chris Cary presenting the European Top 40 on Sunday August 4th 1985. The hits included songs by Sister Sledge, Opus, Eurythmics and Tina Turner while Madonna was at Number 1.

The European Top 40 was broadcast weekly on Nova and compiled from record sales and radio airplay across Europe. The fact that Nova was involved was evidence of its influence in radio circles beyond Ireland. Cary credits Sybil Fennell as researcher and producer of the show.

The aircheck also includes news with Bernie Jameson.

Munster Broadcasting Corporation from Limerick

Munster Broadcasting Corporation from Limerick
An advertisment for MBC from Phoenix Magazine in 1986, courtesy of Eddie Bohan

Limerick really punched above its weight in the golden age of pirate radio prior to 1989. There is some good material online about the Limerick stations including a blog about Big L, Liam Byrne’s radio site, the DX Archive Limerick pages and our own entries featuring Limerick. This recording from July 1986 provides a snapshot of one of the city’s lesser-known pirates at the time, the Munster Broadcasting Corporation (MBC) which despite the grandiose name operated from a tiny attic studio on Catherine Street in the city centre.

Munster Broadcasting Corporation from Limerick
17 Catherine Street, Limerick today. MBC broadcast from the attic (photo John Walsh).

MBC was linked to other Limerick stations Radio Vera and Radio Munster. A corporation it wasn’t, and it certainly didn’t broadcast to the whole of Munster, although there were some ads from Tipperary and they claimed to have three FM frequencies covering Limerick, Clare and Tipperary. There was nothing remarkable about the music on MBC – it was the usual diet of the Top 40 – but it was a presenter calling himself Will Rogers who made an impact during our short visit to Limerick in 1986. He did a lunchtime show and also voiced most of the ads and jingles in one of the stranger mid-Atlantic accents of pirate radio in the 1980s.

Aircheck: remix of Gay Byrne Show announcing legalisation of radio

This recording is a remix of the Gay Byrne Show on RTÉ Radio 1 from 17 October 1988, the day that the newly-established Independent Radio and Television Commission published advertisements for the first independent radio licences designed to put the pirates off the air. Byrne seems dismissive of the initiative which would of course threaten his show’s dominance in the market, and appears to be imitating a folksy but clumsy pirate radio presenter. His kitsch portrayal of an amateur local pirate is part of Byrne’s theatre of the mind and evokes stereotypical illegal broadcasters of an earlier era. 

Gay Byrne’s voice, remixed by Brian Greene with Queen’s Radio Gaga, was broadcast on Centre Radio in Bayside, Dublin 13 at the end of 1988 up to the closedown.

RIP Gay. Your voice was part of the soundtrack of our youth during the pirate era.

Pirates co-operate in charity marathon

Pirates co-operate in charity marathon
Image courtesy of DX Archive

In 1986, three large pirate stations – Sunshine Radio in Dublin, ERI in Cork and ABC in Waterford – co-operated to jointly organise a 250-mile maxi-marathon between the three cities.

Here are two promos – the first from ERI and the second from ABC – voiced by Mark Byrne of Sunshine Radio. They are fascinating on so many levels: co-operation between pirate stations, a campaign backed by big commercial sponsors and funds raised going to a major charity, the Central Remedial Clinic.

This is a good example of how the archive can give us a more global view of what was happening in the 1980s. Listeners to each station did not know that all three stations were involved but the archive can tell us that. Arguably the level of co-operation surpasses what exists today between stations in the same large radio groups.

It also reminds us that despite often fierce local competition, stations from different parts of the country were willing to co-operate for charitable causes. No doubt they also had an eye to the impeding legalisation and wanted to position themselves as socially responsible.

These clips are based on recordings from the Leon Tipler Tapes Collection and the Skywave Tapes Collection.