Saturday morning on Cork’s ERI

Saturday morning on Cork's ERI
Cover of undated ERI station leaflet (Anoraks Ireland collection).

ERI was one of Ireland’s most successful pirate stations, broadcasting from County Cork and later Cork City between 1982 and 1988. After installing a 5kW AM transmitter on 1305 kHz (225 metres) in 1983, it gained dominance among listeners and advertisers in Munster. The station could also be heard further afield at night due to AM propagation, as in this recording made in Kidderminster in the English midlands in the winter of 1983.

It begins with the end of Mark Lawrence’s Saturday breakfast show, which is followed by news read by John O’Connor. Next up is the children’s programme Junior Club. Commercial breaks feature adverts for local businesses and for brands and include the voice of John Blake (real name John Creedon), who would go on to become a well-known RTÉ presenter. There is plenty of deep fading in the recording due to the distance from the AM transmitter. The tape was made on Saturday 26th November 1983 from 0845-0900 from 1305 kHz and is from the Leon Tipler Collection, donated to us by Steve England.

The Anoraks Ireland Digitisation Project

The Anoraks Ireland Digitisation Project
A small part of the enormous Anoraks Ireland Collection as photographed by Eddie Bohan.

Anoraks Ireland was a one-stop resource for Irish radio enthusiasts of the 1980s and early 1990s allowing them to buy or swap cassette recordings and other materials relating to the hundreds of pirate radio stations that existed back then. The organisation extensively documented the unique golden era of pirate radio in the form of photographs, magazines, detailed bandscans, station surveys and much more.

Earlier this year, Anoraks Ireland founder Paul Davidson agreed to donate his vast collection of Irish radio materials to the Irish Pirate Radio Archive at Dublin City University. The materials, primarily from the pirate radio era of the 80s, offer a fascinating insight into the Irish broadcasting landscape of the time and consist of thousands of cassette recordings, photos of DJs, studios and transmitter sites, advertising rate cards, newspaper cuttings along with lots of other materials. The Irish Pirate Radio Archive, in association with ourselves at Pirate.ie and with Radiowaves.fm, are in the process of digitising the huge collection and are about to start archiving it across the three websites. We all look forward to making this invaluable collection available to historians, students and visitors to our websites. The digitisation teams are John Walsh and Brian Greene of Pirate.ie, Eddie Bohan of the Irish Pirate Radio Archive and Irish Broadcasting Hall of Fame and John Fleming of Radiowaves.fm.

The Anoraks Ireland Digitisation Project
Original label of this recording in the Anoraks Ireland Collection.

We kick off with recordings of Cork super-pirate ERI from 1456-1542 on Thursday 3rd November 1988. On air are Pamela Wilson, previously of WLS in Galway and Radio West in Mullingar, and Joe Reilly on news. These were recorded from 97.7 FM in stereo and ERI also broadcast on 1305 kHz (announcing 225 metres). The recording above runs from 1456-1542 and the one below from 1543-1629.

2nd part of Pamela Wilson recording.

These recordings are from the Anoraks Ireland Collection, donated to us by Paul Davidson.

More live overnight ERI from 1985

More live overnight ERI from 1985
George Talbot and ERI engineer the late Robin Adcroft (Banks) in 1987 (photo courtesy of Ian Biggar).

Live overnight radio is a thing of the past with some stations automated from early evening. Pirates big and small were on air around the clock, with a early example being Radio Dublin’s famous marathon broadcast from 1977 which set a new standard for the capital’s growing radio scene.

Some of the Cork pirates did round-the-clock live programming also, as in this recording of Tony Ashford (Ciaran Brannelly) on the graveyard shift on ERI. Emer Lucey (Lucy Potter Coogan) is heard every hour with ‘ERI News Review’, a pre-recorded bulletin of the previous day’ top stories. The recording was made from 96.7 FM and runs from 0438-0602 on Wednesday 23rd October 1985. At the end of his shift, Ciaran hands over to Hugh Browne (RIP), a well-known name on many 1980s pirates.

More live overnight ERI from 1985
ERI car sticker (courtesy of DX Archive).

ERI (1982-1988) also broadcast on 1305 kHz (announcing 225 metres) and could be heard over much of Munster and beyond. We thank Ciaran Brannelly for his donation.

Live overnight ERI from 1985

Live overnight ERI from 1985
The ERI studio in 1987 (photo courtesy of Ian Biggar).

Overnight radio is almost always automated these days and while many pirates also put out tapes in the early hours or closed down for the night, a sizable number of stations ran live programming around the clock. One such station was the Cork super-pirate ERI (1982-1988). This is a recording of part of a live overnight show on ERI from 1985. Tony Ashford (Ciaran Brannelly) is on the long graveyard shift playing music through the night until 6am.

Live overnight ERI from 1985
Lucy Potter Coogan in the ERI newsroom in 1981/82 (photo courtesy of Ian Biggar).

Emer Lucey (Lucy Potter Coogan) is heard every hour with ‘ERI News Review’, a pre-recorded bulletin of the main stories from the previous day. The recording was made from 96.7 FM and runs from 0145-0240 on Wednesday 23rd October 1985. ERI also broadcast on 1305 kHz (announcing 225 metres) and could be heard over a large area.

We thank Ciaran Brannelly for his donation.

The Pirate.ie Podcast #3

The Pirate.ie Podcast #3

We’re delighted to announce episode #3 of the Pirate.ie podcast which explores themes covered in our growing archive of Irish pirate radio.

The 1980s can be described as the decade that Ireland changed from black and white to colour and pirate radio was very much part of that social change. While many pushed for liberalisation, conservative forces opposed moves towards opening up Irish society and pirate radio reflected such tensions. Larger commercial stations were dominated by men’s voices while women and minority groups were better represented in specialist and community radio. Community radio itself developed a more inclusive model of participation and access and even large commercial stations practised corporate social responsibility from time to time. Religion also played a key role, with several pirates representing Catholic values which were still powerful in Irish society.

In episode #3, John Walsh and Brian Greene explore the social influence of pirate radio during its heyday.