This recording of the Cork Broadcasting Company (CBC) was made on 24th July 1979 and features various DJs. Luke Ward is heard first, inviting entries into his quiz and signing off at the end of his show. The station is located in Patrick’s Quay at this time.
Luke is followed by the lunchtime show with Pete Andrews (O’Neill) who introduces Cork’s Top 40. The number one record is ‘I Don’t Like Mondays’ by the Boomtown Rats. The final DJ is Ed Harris.
Thanks again to Lillian O’Donoghue for the donation.
This recording of Alan Edwards was made on 1st July 1979, a year to the day after he began working at CBC. Alan plays snippets from his first show on 1st July 1978 and comments on the difference in his voice over the past year. A birthday cake was delivered to the station by a loyal fan and Alan and his producer tuck in between records. It is announced that the station will close at 10pm instead of midnight because Barry Jones won’t be in for his show.
In the 1978 recording CBC’s frequency is given as 1327.52 kHz which is equivalent to almost 226 metres rather than the announced 230 metres. A year later, Alan announces 1303 kHz which is equivalent to 230 metres. This is a 40+ year-old cassette recorded from AM, with the 1978 inserts themselves recorded from AM, so audio quality is poor throughout. The recording above starts at around 7.30pm and is a partial aircheck. The recording below starts just before 9pm. Thanks to Lillian O’Donoghue for the donation.
This is another recording of Pat O’Rourke (aka The Smurf) on CBC from 1130 on Friday 15th June 1979. Pat is preparing to mark the first anniversary of his show which started on 30th June 1978. The programme is full of letters from listeners who clearly love CBC and its DJs, with one listener writing in ten times! Pat is followed at 12 noon by Pete Andrews (O’Neill) with the Spin-a-Disk Lunchtime Special.
There’s also a short story from Ireland’s Own magazine and a rather strange Thought for the Day. It’s not clear if these were recorded on the same date.
Thanks to Lillian O’Donoghue for the recording and photos.
One of the popular DJs on the Cork Broadcasting Company (CBC) was Pat O’Rourke, also known as ‘The Smurf’. His show had a big following, with many listeners writing in with requests and dedications.
This recording is a partial aircheck and begins at 1000 on Friday 15th June 1979. As ever the mailbag is full and it takes Pat a while to read out the letters between records. The show is a great example of how pirate radio made close connections with its listeners and built up a strong local following.
Thanks to Lillian O’Donoghue for the recording and photos.
Brothers Noel and Trevor Welch were both DJs with the Cork Broadcasting Company (CBC) and remained involved with radio in Cork during the pirate era and beyond. They co-authored The Jolly Roger: Pirate Radio Days in Cork, which was published in 2015. In that book, Noel remembers that pirate radio ‘struck a blow for pioneering DJs everywhere when stations first hit the airwaves in Cork in the late 1970s. It was fresh, very risky and a bit of a novelty. We hadn’t heard anything like it before. The pirates of the airwaves set the tone for pop radio in this country’.
Noel responded to an advert seeking DJs placed by CBC in The Evening Echo. He was working with the Echo at the time and remembers how the advert almost jumped off the page at him. Noel had worked previously in nightclubs but had no radio experience and even lacked the basic equipment to record a demo tape. He had to borrow his uncle’s radio-cassette player and recorded a demo spinning his favourite vinyl singles. Once offered a slot at CBC he had to keep his radio hobby a secret at work because of the suspicion between local press and pirate stations.
This recording of CBC features Noel Welch (known as Noel Evans on air) and Alan Edwards. The recording starts at around 1925 on 15th June 1979 and is partially airchecked. Audio quality is poor due to the age of the cassette and the fact that this was recorded on a tape recorder held up to an AM radio. Thanks to Lillian O’Donoghue for the recording and photos.