The Crofton Airport Hotel during the ARD/Radio 257 days (photo courtesy of Noel Hiney).
Following the relaunch as Radio 257 on New Year’s Day 1980 and a move to the Crofton Airport Hotel, the station had resumed using the ARD name by the autumn of that year. The arrival on the scene of super-pirates Sunshine Radio in 1980 and Radio Nova in 1981 changed everything and smaller stations such as ARD began to feel the pinch. It moved back into the city centre in early 1982 but closed later that autumn, making its final broadcast on September 15th. According to Radio Radio (1988) by Peter Mulryan: ‘After the emotional closedown, the microphones were kept open on FM, and Dublin listened to the sad sound of the studios being dismantled’.
Brian Greene’s own copy of the Radio 257 sticker.
This is a recording of a very young David Baker presenting the Saturday breakfast programme from the Crofton on 1st August 1981. The recording was made from 99 FM from 0820-0905 and includes news read by Al O’Rourke. Both David and Al would go on to work in many other Dublin pirates, including the network of temporary festival stations run by the Community Broadcasting Co-operative.
The ARD mast at the Crofton (photo courtesy of Noel Hiney).
We thank David Baker for his donation of this recording. Listen here to our podcast with David in which he shares his memories of pirate days.
KELO began broadcasting officially on 16th March 1981 from Swords in north Co. Dublin. This recording is of veteran broadcaster John Clarke from the following day, St. Patrick’s Day. John, who went on to work in Radio Nova and RTÉ, remembers his early involvement in KELO and believes the station’s achievements should be recognised:
‘Pirate radio from the mid-70s was forever evolving, with every station that appeared seeking to be better than the previous one. In the early incarnations, studios were in bedrooms and outhouses, with enthusiasts arriving with whatever records they had and playing them. Some were hobby DJs, others had a passion for music, others had the additional influences of the pirate ships of the 60s, in particular Radio Caroline North during the day and Radio Caroline South at night. In Ireland from 1975 pirate radio (‘unlicensed commercial’ is a better way to describe the stations) was evolving quickly, talent was beginning to shine through, technology was advancing and engineers were creative. In the early 80s the landscape was preparing for the super-pirates (Sunshine and Radio Nova), but in advance of their arrival a new station began broadcasting on 244 metres. It was once said a station is as good as its signal, so it’s worth mentioning Peter Gibney who built a great rig. By 1981 the standard of DJ had vastly improved and likeminded people gravitated to each other. And so it was with KELO. I found a set of jingles (from an American station) and these were used, giving the station a professional sound. All the DJs recruited had worked their way through many of the early pirates. Davitt Kelly, an early pioneer, did the recruiting. Brendan Lawless was the station owner and its studios were located in north Co. Dublin (Swords). The studio was well-equipped and of a high standard in its day’.
‘But what was different and unique about the station was the music: it was Top 40 in format with the addition of quality album tracks. It had a playlist of 40 songs but not necessarily 40 hits of the day, it was the station Top 40. Everyone was in unison in wanting to play these core songs. We all contributed to albums that would sound good on the station. And there was free choice as well, four an hour, but every jock used their own knowledge to mix and match what was played across any given programme. So, there was a quality control to the overall sound. The standard of jock was good, with a few showing signs of real radio talent, some of whom went on the have long careers in the industry. Another piece of the jigsaw at KELO was that the station played records in sweeps of twos and threes and kept the mindless DJ patter to a minimum. It was the humble beginnings of ‘clutter free’, which later became a benchmark for the super-pirate Radio Nova (Nova for 5 years became one of the most successful commercial radio operations in these isles). KELO rightly deserves a chapter in the radio history books, as it did something different and became successful’.
KELO transmitter (photo courtesy of DX Archive).
This recording of John Clarke begins at 1454 on 17th March 1981 and was recorded in Scotland by Ken Baird, hence the DX reception. Thanks to John and Ian Biggar for their assistance. Listen here to an interview with Dave Daly about his memories of KELO.
40 years ago today (15th March 1981) a new pirate called KELO began testing from Swords in north Co. Dublin. KELO was a short-lived but important pirate because its music policy broke the mould: Top 40 and album tracks played back to back with minimal talk. Its frequency of 1233 kHz (244 metres) got out well and in the advertising flyer above, KELO claimed to be audible throughout Leinster and on the northwestern coast of Britain. It changed its frequency to 1566 kHz probably on July 8th 1981, only to return to 1233 kHz after a few days. When DX Archive visited the station in mid-August, it was definitely on that frequency. Following the arrival of Radio Nova, the Dublin radio scene became more competitive in 1981 and many smaller stations fell by the wayside. According to Airsounds Newsletter from December 1981: ‘KELO Radio from Dublin closed down on 244 metres on November 11th. Apparently, the rig was reclaimed by Peter Gibney as he was not paid for it, so he just came and took it away! It may have been sold to another station for use from a hotel in the north suburbs of the city’.
Dave Kelly in the KELO studio (photo courtesy of DX Archive).
This recording features Davitt Kelly (RIP) on 15th March 1981 starting at 1234, the day before official programming started. It was recorded by Ken Baird in Scotland, hence the DX reception. Thanks to Ian Biggar for assistance with research.
The ‘Milinda 7’ following the court case, L-R: Jimmy McCabe, Ernie Melia, Michael Lynch, Jimmy Lynch, Mark Story, Ken Sheehan and Declan Meehan (Evening Press, from ‘Radio Radio’ by Peter Mulryan).
The broadcasting history of Tony Boylan (RIP) has been well documented over the years from his first broadcasts in 1945 until the mid-1980s when he sold his equipment and retired to the Isle of Man. The recording above is an aircheck of Tony’s Radio Galaxy signing off from one of its regular Sunday broadcasts. The recording is undated, but is probably from 1969 or 1970 as Tony refers to Radio Dublin as broadcasting on 217 metres. This may well have been during the period of the United Dublin Stations as referred to in Peter Mulryan’s Radio Radio book (1988). Radio Galaxy along with Radio Eamo, Radio Jacqueline and Radio Dublin formed this shortlived network. You can hear a longer recording of Radio Galaxy here.
Tony broadcast from Santry at this point and just along the road was a young man called Robbie Irwin, who in turn was friends with Declan Meehan, also from Santry. The two friends had heard Radio Galaxy and sharing a common interest in music and radio, wanted to start their own station. Also entering the picture was Ernie Melia (RIP) from Finglas East who was dating Mary Cummins from Santry, whose brother Ollie was an anorak like Ernie.
The four approached Tony and eventually Ernie bought the 30-watt transmitter complete with a crystal for 1525 kHz (196.7 metres), right beside Vatican Radio. Declan remembers that the rig was built by someone in RTÉ! Ernie brought the rig home to Tolka Gardens where with the aid of a long wire, he erected a very long antenna. Sporadic broadcasts commenced until the friends decided to commence official broadcasts in September 1970 as Radio Vanessa, named after Vanessa O’Callaghan from along the road!
Declan Meehan with John Walsh at East Coast FM in 2019.
Programmes were pre-recorded in Declan’s house on Shanliss Drive and broadcast from either there, Robbie’s house or Ernie’s place in Finglas. The free radio magazine Newswave reported in early 1972 that ‘Radio Vanessa broadcasts programmes of pop music on 1525 kHz on Saturdays and Sundays from 1-2pm’. DJs on the station were known as Arno St Jude (Declan Meehan), Robbie Ruskin (Robbie Irwin) and Hungry Herbie (Oliver Cummins).
Live broadcasts were made from Declan’s house in 1971 and the station continued broadcasting into 1972, adding a late night show after midnight on 1335 kHz (226 metres). By the second half of 1972 Vanessa had disappeared with Declan and Ernie becoming involved with another station Radio Milinda, which was infamously raided on December 17th. Following the end of Vanessa, the transmitter was used by Radio Valleri on 1525 kHz starting in July 1972 for two months before technical problems put it off the air. The transmitter remained at Declan’s house and made a brave appearance on air on Christmas Day 1972 as The Voice of Free Radio on 1525 kHz. This followed the increased activity from the P&T resulting in the Radio Milinda raid the previous week. Ernie eventually collected the transmitter and as far as we know, it was never used again.
The recording below features a programme broadcast on Radio Vanessa on 1335 kHz with Ken Edwards (Ken Sheehan), the founder of Radio Dublin. Neither Declan nor Ken can remember this being broadcast. It was supplied by Roger Lloyd (Prince Terry) and is undated, but probably from 1972.
We thank Ian Biggar for supplying the text and sharing these recordings. Listen here to Declan Meehan being interviewed by Pirate.ie about his earliest radio memories.
Another pioneer of Dublin pirate broadcasting was Channel 70 which operated, unsurprisingly, from 1970 until 1972. The man behind the station was Jack O’Carroll who previously had operated Radio Jacqueline with Davitt Kelly. Channel 70 started broadcasting in 1970 from Monkstown, Co. Dublin.
The station broadcast on the crystal-controlled frequency of 1320 khz and with a power of 100 watts into an inverted L, was heard well in Ireland and other European countries. Transmissions normally commenced at 0015 or 0030 early on Tuesday, Friday and Saturday mornings and were popular with DXers. In addition to a DX programme, Channel 70 broadcast music consisting of pop, country and soul, as well as other genres. The station continued into 1972, but had disappeared by the middle of the year.
Channel 70 QSL to Swedish DXer (courtesy of Ian Biggar).
Our recording consists of a DX programme and is undated. However, it is assumed to be from around June 1971 as there are references to the recent bomb attack on Radio Nordsee International from May that year. Later in the recording the Channel 70 operator can be heard in a QSO conversation with a station in England. The recording was made by Roger Lloyd (Prince Terry). QSL is by kind permission of Mike Barraclough. Our thanks to Ian Biggar for supplying the text, images and recording.
