Evening show on KELO from Swords

Evening show on KELO from Swords
Studio shot of KELO with Dave Kelly at the mixer (courtesy DX Archive)

KELO broadcast from Swords in north Co. Dublin for about nine months in 1981. Although short-lived, the station broke the mould by playing chart and album tracks back to back with a minimum of talk and many talented DJs were heard on the air. For most of its existence KELO broadcast on 1233 kHz, announcing 244 metres, and DX Archive reported that a weak signal could be heard in Scotland. However, 1981 was a turning point in Dublin radio due to the arrival of Radio Nova and the growth of the other large pirate Sunshine Radio, causing many smaller stations, including KELO, to go to the wall.

This recording from about a week after KELO began broadcasting on 15th March features an aircheck of the first show by Marty Moore in his early evening slot from 1700-1900. Branded station jingles and adverts for local businesses are heard and the musical choice is mostly chart and pop. There is a sense of a new station still finding its feet: the DJ slips up once or twice, audio levels are variable and the signal is fair, perhaps because the recording was made outside the core reception area in north Dublin.

The tape was made on Monday 23rd March 1981 from 1233 kHz and is from the Anoraks Ireland Collection.

John Clarke on KELO

John Clarke on KELO
KELO flyer (courtesy of Dave Daly).

KELO began broadcasting officially on 16th March 1981 from Swords in north Co. Dublin. This recording is of veteran broadcaster John Clarke from the following day, St. Patrick’s Day. John, who went on to work in Radio Nova and RTÉ, remembers his early involvement in KELO and believes the station’s achievements should be recognised:

‘Pirate radio from the mid-70s was forever evolving, with every station that appeared seeking to be better than the previous one. In the early incarnations, studios were in bedrooms and outhouses, with enthusiasts arriving with whatever records they had and playing them. Some were hobby DJs, others had a passion for music, others had the additional influences of the pirate ships of the 60s, in particular Radio Caroline North during the day and Radio Caroline South at night. In Ireland from 1975 pirate radio (‘unlicensed commercial’ is a better way to describe the stations) was evolving quickly, talent was beginning to shine through, technology was advancing and engineers were creative. In the early 80s the landscape was preparing for the super-pirates (Sunshine and Radio Nova), but in advance of their arrival a new station began broadcasting on 244 metres. It was once said a station is as good as its signal, so it’s worth mentioning Peter Gibney who built a great rig. By 1981 the standard of DJ had vastly improved and likeminded people gravitated to each other. And so it was with KELO. I found a set of jingles (from an American station) and these were used, giving the station a professional sound. All the DJs recruited had worked their way through many of the early pirates. Davitt Kelly, an early pioneer, did the recruiting. Brendan Lawless was the station owner and its studios were located in north Co. Dublin (Swords). The studio was well-equipped and of a high standard in its day’.

‘But what was different and unique about the station was the music: it was Top 40 in format with the addition of quality album tracks. It had a playlist of 40 songs but not necessarily 40 hits of the day, it was the station Top 40. Everyone was in unison in wanting to play these core songs. We all contributed to albums that would sound good on the station. And there was free choice as well, four an hour, but every jock used their own knowledge to mix and match what was played across any given programme. So, there was a quality control to the overall sound. The standard of jock was good, with a few showing signs of real radio talent, some of whom went on the have long careers in the industry. Another piece of the jigsaw at KELO was that the station played records in sweeps of twos and threes and kept the mindless DJ patter to a minimum. It was the humble beginnings of ‘clutter free’, which later became a benchmark for the super-pirate Radio Nova (Nova for 5 years became one of the most successful commercial radio operations in these isles). KELO rightly deserves a chapter in the radio history books, as it did something different and became successful’.

John Clarke on KELO
KELO transmitter (photo courtesy of DX Archive).

This recording of John Clarke begins at 1454 on 17th March 1981 and was recorded in Scotland by Ken Baird, hence the DX reception. Thanks to John and Ian Biggar for their assistance. Listen here to an interview with Dave Daly about his memories of KELO.

40 years since the launch of KELO

40 years since the launch of KELO
KELO advertising flyer (courtesy of DX Archive).

40 years ago today (15th March 1981) a new pirate called KELO began testing from Swords in north Co. Dublin. KELO was a short-lived but important pirate because its music policy broke the mould: Top 40 and album tracks played back to back with minimal talk. Its frequency of 1233 kHz (244 metres) got out well and in the advertising flyer above, KELO claimed to be audible throughout Leinster and on the northwestern coast of Britain. It changed its frequency to 1566 kHz probably on July 8th 1981, only to return to 1233 kHz after a few days. When DX Archive visited the station in mid-August, it was definitely on that frequency. Following the arrival of Radio Nova, the Dublin radio scene became more competitive in 1981 and many smaller stations fell by the wayside. According to Airsounds Newsletter from December 1981: ‘KELO Radio from Dublin closed down on 244 metres on November 11th. Apparently, the rig was reclaimed by Peter Gibney as he was not paid for it, so he just came and took it away! It may have been sold to another station for use from a hotel in the north suburbs of the city’.

40 years since the launch of KELO
Dave Kelly in the KELO studio (photo courtesy of DX Archive).

This recording features Davitt Kelly (RIP) on 15th March 1981 starting at 1234, the day before official programming started. It was recorded by Ken Baird in Scotland, hence the DX reception. Thanks to Ian Biggar for assistance with research.

Interview: Declan Meehan (part 2: 1982-1989)

Interview: Declan Meehan (part 2: 1982-1989)
Declan Meehan and John Walsh at East Coast FM in Bray where Declan has worked since 1994.

In the second part of our extended interview, long-time broadcaster Declan Meehan discusses his move from Sunshine to Radio Nova in 1982 which was by then the biggest station in Dublin. He tells us how Chris Cary copied the sound of KIIS FM in Los Angeles to bring a new broadcasting style to Ireland. Despite his love for Radio Nova, Declan left the station because of the bitter NUJ strike in 1984. Although he moved into licensed radio in the UK and Ireland after that, Declan’s involvement with the pirates didn’t quite end there. The interview concludes with Declan’s thoughts on the pirate legacy and his views on the state of radio today.

You can hear the first part of this interview here.