Some of the episodes of ‘The Irish Pirates’ as found in the Leon Tipler Collection (photo by Brian Greene).
Volumes 3 and 4 of Leon Tipler’s ‘The Irish Pirates’ make up Part 2 of the documentary. The third recording focuses mostly on Sunshine Radio and Radio Nova, the new superpirates which emerged in Dublin in the early 1980s. Tipler begins by visiting Sunshine Radio in 1981 and interviews its director Robbie Robinson. He tours the Sunshine studios in Portmarnock and hears its professional jingles produced by Alfasound. The documentary covers the controversy caused by politicians appearing on pirate radio and the coverage given by Sunshine to community events in its area. The episode also includes a feature on Community Radio Fingal in north Dublin in 1982. It ends with a visit to the Radio Nova studios at Herbert Street and a long interview with Nova boss Chris Cary.
This recording is from the Leon Tipler Tapes Collection, donated to us by Steve England.
Capitol Radio, one of the stations featured in this episode of ‘The Irish Pirates’ (image courtesy of Ian Biggar/DX Archive).
We bring you the second instalment in Leon Tipler’s acclaimed documentary ‘The Irish Pirates’, focusing on the period 1979-1982. In this edition Tipler discusses his visits to Dublin in 1981 and 1982 and features recordings of the pirates as well as interviews with those involved. Stations featured include ARD (Alternative Radio Dublin), Radio 257, Radio City, Capitol Radio and Double R Radio. The distinctive sound of Radio Leinster is commented upon and Tipler also interviews Tony Allan, whose voice was heard increasingly on the Irish pirates. While the focus in this episode is on the smaller stations, there is no escaping the fact that the Irish radio landscape is facing a major upheaval following the arrival of Sunshine Radio and Radio Nova. Below, you can also hear the original recording made by Tipler of the talking butcher’s shop in Moore Street as he walks to the Radio City studios in Capel Street.
These recordings are from the Leon Tipler Tapes Collection, donated to us by Steve England.
Some of the hundreds of cassettes in the Leon Tipler collection (photo by Brian Greene).
In May 2020, we were delighted to receive a large donation of cassettes belonging to the late Leon Tipler (1942-2013), a British pirate radio enthusiast and broadcaster who recorded thousands of hours of Irish pirate stations in the late 1970s and early 1980s. You can read a tribute here. We thank Steve England for sending us this important collection, which provides a unique insight into a critical period in Irish pirate radio, the years just before and after the arrival of the ‘super-pirates’ in the form of Radio Nova and Sunshine Radio.
Leon Tipler (photo courtesy of offshoreradio.co.uk)
We’ll be featuring this collection over the coming months, but we begin with Tipler’s well-known series of documentaries covering the period 1979-1982, ‘The Irish Pirates’ by Alfasound Tapetrix Productions. These eight hour-long recordings are reference copies from the documentary maker himself and are in high quality audio.
Volume 1 documents Tipler’s first visits to Dublin in 1979 and 1980 and includes recordings of and interviews with stations on the air in the capital at the time.
These include ARD, Big D, Radio Dublin, Radio City, Radio 257, Southside Radio and Capitol Radio. Tony Allan can be heard reading news and presenting a talk programme on ARD. There’s an interview with Robbie Robinson of the new Sunshine Radio about the loophole in the 1926 Wireless Telegraphy Act although Sunshine itself is not discussed until a later episode. Tipler also covers the launch of RTÉ Radio 2 in 1979 which, although forced by the pirates, did nothing to quell the success of the illegal broadcasters. As Tipler says, the best was yet to come.
Entry about IRG in FRC Ireland Newsletter, issue 5, August/September 1978 (courtesy of Ian Biggar/DX Archive).
Our series on the pirate stations based in and around Galway City in the 1980s includes Atlantic Sound, WLS, Coast 103, County Sound and Radio Pirate Woman. These were all from the final part of the Irish pirate radio era from 1984 to 1988 with the exception of Radio Pirate Woman which defied the new legislation and carried on into the 1990s and beyond. Like Dublin, Galway also had an earlier wave of pirates which paved the way for the larger commercial stations. Among those were Independent Radio Galway and Atlantic Radio.
Independent Radio Galway, broadcasting in the late 1970s on 199 metres (1503 kHz) was the closest that Galway came to a community radio station. Set up by Tom O’Connor of O’Connor’s television repair shop, it began on April 15th 1978 and was one of major pirates that emerged from the RTÉ local radio experiment of that period. IRG closed on July 28th 1979 following the establishment of RTÉ Radio 2. More information is available here. Surprisingly for a city with a long tradition of the arts and community development, Galway never developed community radio in the mould of well-known stations such as Bray Local Broadcasting (BLB) and North Dublin Community Radio (NDCR). Another early station was Atlantic Radio (no relation to the later Atlantic Sound as far as we know), which was due to begin broadcasting on February 25th 1978. As the report below indicates, they had big plans including transmitters in North Galway and Mayo and a separate city service, Galway Community Radio. The station gave an address in Renmore on the east side of the city.
Entry about Atlantic Radio in FRC Ireland Newsletter, issue 3, February/March 1978 (courtesy Ian Biggar/DX Archive).
County Sound was an example of a station situated outside Galway city which moved eventually into the city centre. Another county station, KFM, was set up in 1986 in the village of Moycullen 12 km northwest of Galway. Later it opened a studio in the city centre and announced two FM frequencies, one for the city (99 MHz) and another for the county (95 MHz). AM was planned but never materialised.
Rate card for KFM (c. 1986) courtesy of Ian Biggar/DX Archive.
There was a remarkable similarity between the design of the KFM rate card and the one used previously by Atlantic Sound!
Atlantic Sound rate card c. 1986 (courtesy Ian Biggar/DX Archive).
Other stations included West Coast Community Radio (WCCR) which broadcast from spring 1982 until July 1983 on AM only, with its aerial running along the terrace of Cloonacauneen Castle north of Galway before moving to a frozen meat factory in Roscam on the east side of the city. Among those involved with WCCR were the current CEO of Galway Bay FM, Keith Finnegan. Radio Renmore was a low-powered station (approximately 5 watts) on 100 FM which operated from August 1983 until early 1985 from the eastern suburb of Renmore. Set up by three teenagers, Gary Hardiman, Tom Breen and Brendan Mee, it broadcast during the school holidays and was known as Radio Snowflake at Christmas 1984. Emerald FM was an irregular pirate from Shantalla in 1986 as was WHYT which gave an address in Eglinton Street in the city centre. In 1987 another hobby station, Radio Impulse, was logged mainly at weekends.
Stations in Co. Galway included the very early pirate Saor-Raidió Chonamara which broadcast on two separate occasions in 1970 from Ros Muc, a village in the Gaeltacht area of Connemara. It was a pioneer in Irish language broadcasting and led to the establishment of RTÉ’s Irish language service Raidió na Gaeltachta in 1972. Further to the northwest, Connemara Community Radio came on the air in 1988 in the village of Letterfrack. It is now a licensed station of the same name. In the east of the county, Kandy Radio broadcast from Ballinasloe from 1986 to 1988 and Galway District Radio was a short-lived station in Loughrea.
Thanks to Brendan Mee and Ian Biggar for background details.
St. Bridget’s Terrace Lower in Galway, from where Women’s Scéal Radio/Radio Pirate Woman broadcast (photo by John Walsh).
Women’s Scéal Radio was an intermittent pirate station broadcasting in Galway from 1986 to 1988. It was run by the peace activist and feminist campaigner Margaretta D’Arcy from her home at Woodquay in Galway City. ‘Scéal’ is the Irish for ‘story’ and the aims were to allow women free access to tell their stories on radio and to campaign against censorship. The station continued in 1989 under the name of Radio Pirate Woman and continued to operate intermittently until about 2010. In 1996 Margaretta D’Arcy wrote about her radio philosophy in a book called Galway’s Pirate Women: a Global Trawl. This video, produced by Radio Pirate Woman, gives a flavour of an anarchic and unique station, undoubtedly the most distinctive in Galway pirate radio history. The voice of Margaretta D’Arcy announcing both stations can be heard on the audio track above.
Technical standards were not important and equipment consisted mostly of a microphone and tape recorder with women sitting around the kitchen table. One of those involved, Maureen Maguire, can be heard here. Margaretta D’Arcy boasted to the City Tribune in 1988 that it had cost her only £50 to go on air. The station generally broadcast for a few hours during the day and again from midnight, and also played tapes from or linked up with women’s radio stations around the world. As well as defying broadcasting legislation, particularly after 1989, it also gave out information about abortion and interviewed members of Sinn Féin, both of which were also prohibited at the time. Flyers for Radio Pirate Woman said it could be picked up only over a two-mile radius of Galway city centre. Frequencies mentioned over the years were 102 and 106 FM.
Flyer for Radio Pirate Woman, probably 1990 (courtesy Eddie Bohan).
In 2014, Margaretta D’Arcy, then aged 80, served two prison sentences over her opposition to use by the US of Shannon Airport for military purposes. In 2017 she donated her papers and those of her late husband, playwright John Arden to the National University of Ireland, Galway. These included hundreds of cassettes containing recordings of Radio Pirate Woman. The launch was featured on the December 2017 edition of Wireless on Flirt FM which included an extract from D’Arcy’s speech describing the importance of pirate radio to the women’s movement.
